Manual Blow, Gabriel, Blow

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Anything Goes is a musical with music and lyrics by Cole Porter. The original book was a . Reno restores the mood of the Revival ("Blow, Gabriel Blow").
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That's followed by an even more ludicrous depiction of "So in Love," here plopped down in the wrong scene. Mixed in with all the pop stars, three bona fide musical-theatre performers make appearances. Mayer and is part of one of the more elaborate and sillier musical sequences, "Be a Clown.

But even Kline can't make De-Lovely fly. I had hoped it would at least rank as a fascinating failure, but it turns out to be largely lifeless. Doctorow's acclaimed novel Ragtime is a difficult book to dramatize. With principal characters simply named "Mother," "Father," and "Mother's Younger Brother," the book contains no conventional dialogue, and is written in a passive, distanced tone.


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Then too, the novel offers a kaleidoscopic view of American life at the turn of the century, combining fictional with real-life figures and embracing at least four sets of principal characters. In Ragtime , it's not so much the plot that counts as it is the evocation of a moment in time.

And any adaptation is obliged to make the novel into a more manageable, more straightforward narrative. Shot in New York and London, the Ragtime film managed to distill the complex source material down to minutes. Doctorow had suggested a multi-part miniseries. The film's producer, Dino De Laurentiis, insisted that the large cast include at least one big movie name, and when Jack Nicholson suddenly became unavailable, Forman was able to persuade James Cagney to come out of a twenty-year retirement to play the police commissioner.

The resulting film proved controversial.

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It is also, finally, very unsatisfactory I'm not at all sure that anyone who has not read the book will have any idea what's going on much of the time, or why. For more than an hour, the film manages quite successfully to juggle the various strands of the story, adeptly mirroring the novel's panaromic effect. The resulting film proved controversial. It is also, finally, very unsatisfactory I'm not at all sure that anyone who has not read the book will have any idea what's going on much of the time, or why.

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For more than an hour, the film manages quite successfully to juggle the various strands of the story, adeptly mirroring the novel's panaromic effect. Then, the focus shifts almost exclusively to Coalhouse, to his fight for retribution over injustices done to him and how his actions affect the New Rochelle family. As a result, the film becomes a more conventional, less interesting narrative, with the character of Tateh suffering the most. The Broadway musical adapted from the novel ultimately did a better job of balancing the stories, and even managed to include such historic figures as Henry Ford, Emma Goldman, and Harry Houdini, all absent from the film.

True, Coalhouse got the final bow in the show and could be considered the lead character.

Blow Gabriel Blow. Plantation Song & Chorus.

But Tateh, Mother, and Father were of almost equal importance. There's a twenty-minute documentary, Remembering "Ragtime" , in which Forman notes that the film would not be made today because it would be too expensive, and because, failing to sufficiently condemn Coalhouse's terrorist actions, it would not be considered politically correct.

Also included is a ten-minute deleted scene featuring Evelyn, Mother's Younger Brother, and Emma Goldman, the latter character otherwise unseen in the film. Skip to main content. Shows Buzz Video Groups.

"Blow Gabriel Blow" from Anything Goes @ Texas State University

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Blow, Gabriel, Blow

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